Thanks to Wild Writing Women Cathy Miller
www.wildwritingwomen.com/bios_...r.html
for sending along this quote:
"Just as her skills as a writer began to grow and
develop, Eudora Welty all but disappeared from the
literary scene. When Eudora Welty was forty-six years
old, her mother was paralyzed after suffering a stroke.
In addition, both of her brothers were badly crippled
with arthritis and needed help. Much of Eudora Welty's
time during the next ten years would be spent caring for
the ailing members of her family. She wrote and published
several short stories, but she did not write any longer works
during this time. . . . In 1972, THE OPTIMIST'S DAUGHTER
was published. The book looked at the subject of grief
through the eyes of a daughter who returns home to care for
her father after he has surgery. His death a few weeks later
brings a rush of memories to the woman as she examines
their relationship. In 1973, THE OPTIMIST'S DAUGHTER
earned a Pulitzer Prize for fiction."
--Carmen Bredeson, AMERICAN WRITERS OF THE 20TH
CENTURY, pp. 65-67
www.wildwritingwomen.com/bios_...r.html
for sending along this quote:
"Just as her skills as a writer began to grow and
develop, Eudora Welty all but disappeared from the
literary scene. When Eudora Welty was forty-six years
old, her mother was paralyzed after suffering a stroke.
In addition, both of her brothers were badly crippled
with arthritis and needed help. Much of Eudora Welty's
time during the next ten years would be spent caring for
the ailing members of her family. She wrote and published
several short stories, but she did not write any longer works
during this time. . . . In 1972, THE OPTIMIST'S DAUGHTER
was published. The book looked at the subject of grief
through the eyes of a daughter who returns home to care for
her father after he has surgery. His death a few weeks later
brings a rush of memories to the woman as she examines
their relationship. In 1973, THE OPTIMIST'S DAUGHTER
earned a Pulitzer Prize for fiction."
--Carmen Bredeson, AMERICAN WRITERS OF THE 20TH
CENTURY, pp. 65-67